Saturday, December 28, 2019

A Look into the Dark Side of Edgar Allan Poe - 1762 Words

Edgar Allan Poe was born in 1809 and was found barely conscious on a Baltimore street in 1949 two years after his wife’s death. Three days later Poe was dead at the age of forty. Just like the way he lived his life and died, many of his stories and poems were a mystery. Two of his most famous works â€Å"The Cask of Amontillado† and â€Å"The Raven† were dark and mysterious fictions with dark characters and mysterious plots. â€Å"The Cask of Amontillado† was a story about the dark act of satanic pursuit of revenge, unlike â€Å"The Raven† which invited us into the soul of a grieving man. Both stories were essential and gave meaning to what Poe was going through during those years of his life. His wife was sick and dying from â€Å"tuberculosis† (385). He had†¦show more content†¦Poe was a brilliant writer with a dark sense of realty. One of the best poems I read, â€Å"The Raven† is not only a tale of grief, but a story of tr iumph. The narrator, who I believe is Poe, is grieving the loss of his wife. As previously stated in this essay, Poe’s wife was dying from tuberculosis. During that time, medicine was not as good as it is today, which lead me to believe that Poe knew his wife was dying. â€Å"The Raven† is his way of grieving and trying to give reason to why his wife was leaving him in life. The raven in the story is not just a dark mysterious bird; it is his version of God. When he asks his questions to the Raven, he is speaking to his God. There are three questions that are asked to the raven throughout the story. The first question he asked the Raven was for his name when he stated: Ghastly grim and ancient raven wandering from the Nightly shore- Tell me what thy lordly name is on the Night’s plutonian shore (lines 46-47). Plutonian means dark; Pluto was the Greek God of the dead and ruler of the underworld (1017). The narrator is in a dark place so he feels his God is from the underworld; a dark God. He did not get his answer, because all his answers were a Quote by the Raven â€Å"Nevermore (line 48).† The secondShow MoreRelatedA Look into the Dark Side of Edgar Allan Poe1736 Words   |  7 PagesEdgar Allan Poe was born in 1809 and was found barely conscious two years after his wife death on a Baltimore street in 1949; three days later, he was dead at age forty. Just like the way he live his life and died, many of his stories and poems were a mystery. Two of his most famous works â€Å"The Cask of Amontillado† and â€Å"The Raven† were dark and mysterious fictions with dark characters and mysterious plots. â€Å"The Cask of Amontillado† was a story about the dark act of satanic pursuit of revenge, unlikeRead MoreEdgar Allan Poe And Nathaniel Hawthorne848 Words   |  4 Pagesbreaking free from the intellectual traditions of the past. This is effectively expressed by Edgar Allan Poe and Nathaniel Hawthorne despite differences in their writing style through the stories of The Raven and The Scarlet Letter respectively. Although their writing style is different, both authors indicate that breaking free from intellectual traditions of the past is present in their writing. Both Poe and Hawthorne want to know why things happen rather than how things happen so they focus onRead MoreEdgar Allan Poe And The Cask Of Amontillado1384 Words   |  6 PagesWhat makes Edgar Allan Poe work unique? Other than being a strange individual, Poe has become a remarkable literature writer. The Raven, Annabel Lee, and The Cask of Amontillado are just a few of Poe’s work that staples the theme of gothic literature. This essay will allow you to see the gothic elements Edgar Allan Poe uses through his most common poems. Gothic literature has many elements which play into its definition. The actual definition is a style of writing that is characterized by elementsRead MoreLiterary Critics Of Edgar Allan Poe1693 Words   |  7 PagesEdgar Allan Poe is credited to be one of the best writers, editors, and literary critics of all time. His poetry and short stories are what majority of people recognize him for. His long and intriguing stories about mystery and the macabre are just some examples of his classic writings. At first, Edgar Allan Poe was referred to as the inventor of the modern detective story and a specialist in the science fiction genre. It was not until later in his life that people began to acknowledge him as oneRead MoreEdgar Allan Poe s The Haunted Palace Essay943 Words   |  4 PagesEdgar Allan Poe: The Haunted Palace Edgar Allan Poe is a classic name in literature and is known for many of his works. Most of his works reflect one s thoughts, emotions and life. Many of his works fall under the category of Gothic literature, which is a combination of horror, death, and a little romance. Edgar Allan Poe s poem The Haunted Palace is a perfect example of Gothic literature, that also has a twist on romance. The Haunted Palace is one of Poe s most explicitly allegoricalRead MoreThe Great Stories By Edgar Allan Poe1238 Words   |  5 Pagesexploration of the new America was popular among the people. Poets during this time liked to write about adventure and new pristine worlds untouched by man. Edgar Allan Poe on the other hand used his own style of writing, that used dark symbolism and complex plots to excite the readers. Having seen death and understanding the feeling it brings, Poe had an easy time writing the great stories/poems that we know today. In the years of 1835-1845 the United States was in the process of expanding theirRead More Edgar Allan Poe - Mr. Pessimistic Essay1034 Words   |  5 PagesEdgar Allan Poe - Mr. Pessimistic Some people always look at the bad side of things instead of the good side. This is called pessimism. Edgar Allan Poe could be recognized as the king of pessimism. He is known for his tales of the mysterious and macabre. His dark and twisted works are filled with pessimism. Poe was a person who had faced many troubling experiences throughout his life. To escape from his saddened world, Poe drank and wrote short stories and poems with a pessimistic outlook. BeingRead MoreLiterary Analysis of Annabel Lee by Edgar Allan Poe Essay1313 Words   |  6 PagesAnalyzing of Annabel Lee by Edgar Allan Poe Edgar Allan Poe in this poem â€Å"Annabel Lee† written in 1849, and first published shortly after his death in Sartain’s Union Magazine, is a story of true love and great loss where a man loves a woman so deeply and is devastated when she dies but holds on to that love even after death. No one really knows whom exactly Poe wrote this poem about, whether or not it was actually inspired by someone he truly loved due to his death right after he wrote it. ThereRead MoreYoung Goodman Brown and The Fall of the House of Usher964 Words   |  4 PagesThe root of this could have come from the story’s dark setting deep within an â€Å"haunted forest† or from Brown’s mysterious â€Å"Devil†-esque companion. While I read, another story came into my mind; the story of the â€Å"Fall of the House of Usher† by Edgar Allan Poe. In Poe’s tale the same heart pounding emotion can be felt as he describes the reunion of two friends within â€Å" the House of Usher.† With the manors â€Å"eye-like windows† and â€Å"sorrowful impression,† Poe wastes no time in setting the Gothic mood. ThroughRead MoreAnalysis Of The Writings Of Washington Irving, Nathaniel Hawthorne, And Edgar Allan Poe1335 Words   |  6 Pages Review of writings of Washington Irving, Nathaniel Hawthorne, and Edgar Allan Poe. By Mantegbosh Letyibelu Irving, Poe, and Hawthorne were arguably some of the most popular writers of the 19th century (Dincer 223; Lauter 2505). All three of them are known for their short essays and their advocacy to make writing a full-fledged and legitimate profession. Their writings show that they were hugely influenced by the Romantic Movement (romanticism); ‘a movement in art, literature, music, philosophy

Friday, December 20, 2019

Confessional Mode in Poetry of Kamala Das - 3267 Words

CONFESSIONAL MODE IN POETRY OF KAMALA DAS Confessional mode of writing has its virtual origin in the mid50s in America. It is hybrid mode of poetry which means objective, analytical or even clinical observation of incidents from one’s own life. Confessional poems are intensely personal and highly subjective. There is no ‘persona’ in the poems. ‘I’ in the poems is the poet and nobody else. The themes are nakedly embarrassing and focus too exclusively upon the pain, anguish and ugliness of life at the expense of its pleasure and beauty. Confessional poets did not follow any tradition nor respected any conventions. They wanted to be unique and not a part of the conventional social set up. This conflict with society leads them to†¦show more content†¦Her preference was not considered by her parents. Das expresses: â€Å"I was burden and a responsibility neither my parents nor my grandmother could put up with for long. Therefore with the blessing of all, our marriage was fixed†. (M y Story 82) Kamala Das has thus, a strong grievance against her husband’s infidelity and lust. He knows only the physical kind of love, without trying to make any emotional and spiritual contact with her. She mentions in My Story â€Å"Before I left for Calcutta, my relative (her future husband) pushed me into a dark corner behind a door and kissed me sloppily near my mouth. He crushed my breasts with his thick fingers. I felt hurt and humiliated. All I said was a good bye†. (Das 82) Das has given graphic accounts of her relations with her husband before their marriage. It is clear that she admired him but we do not find glimpses of her love and affection for her hubby as a man or as a lover. In My Story she has expressed her romantic ideas of an ideal lover. She writes: I had expected him to take me in his arms and stroke my face, my hair, my hands and whisper loving words. I had expected him to be all that I wanted my father to be and my mother. I wanted conversation, companionship and warmth. Sex was far from my thoughts. I had hoped that he would remove with one sweep of his benign arms, the loneliness of my life. (Das 84) She enters into marriage with her beautiful romantic ideals but her dreams were shatteredShow MoreRelatedMy Grandmothers House by Kamla Das1143 Words   |  5 PagesMy grandmother’s house - Kamala Das About Kamala Das: Kamala Das is one of the best poets in contemporary Indo-Anglian literature. Kamala Das, born in Kerala in 1934, is a bilingual writer. She writes in Malayalam, her mother tongue, under the pseudonym Madhavikkutty. Her poetry is an exploration of the geography of her own mind, and the lyric is an instance of such self-exploration. Through images of repulsion and horror, she brings out the emotional emptiness and sterility of her marriedRead MoreKamala Das3523 Words   |  15 PagesIN THE POETRY OF KAMALA DAS * Dr. Bhosale B. S. The poetry of Kamala Das has the unique place in Indian poetry in English particularly written by women poets. She has developed the feminine poetic sensibility. There is an expression of her personal and public experiences in her poetry. The ideas, which she has expressed in her poems and in her autobiography, My Story, appear to be similar. She has written a great deal of inward - looking or ‘confessional poetry’. Her poetry is confessional becauseRead MoreIndian English Novel17483 Words   |  70 Pagesmysterious Sanskrit literary wonders that one gets to discover the very first traces of Indian novels and novel writing in the Indian context. Authors and legendary sages have been recognised to have devoted volumes of paper, pen and ink in priceless poetry or drama, dedicating each meticulous thought to penning down immortal creations that still arrests attention. However, it was only in the Later Vedic Age that one gets to witness the foremost and original and initia l stages of Indian novel writing

Wednesday, December 11, 2019

Corporate Attribution And Directing Mind â€Myassignmenthelp.Com

Question: Discuss About The Corporate Attribution And Directing Mind? Answer: Introducation A company is created through its member and lawfully it hold distinct lawfull entity from its members. Law considered a company is an artificial being with certain rights are responsibility. As per the Ferran (2011), the board of directors of the company can be recognized as companys directing mind and will. The board of directors gains their rights from the deal of agency in middle of them and company. Further an employee of the company can be recognized as the directing mind and will of the company if actual authority for the interest of the company has been given by directors to an employee. The power or authority surrogate should be explained or implied by Business administrators. The employee taking action beyond their power will be responsible personally. In the case of Aderemi v Lan and Baker Nigeria Ltd (2000)7 NWLR Pt. 663 at 51, the senior authority of the company gain their power to take an action from the board of directors for the interest of the company and determined them to be the directing mind and will of the company In the recent case of Sugarloaf Hill Nominees Pty Ltd v Rewards Projects Ltd (2011) WASC, the investor lost their assets in the investment scheme of the company , and they suffer major monetary damages; the court held liable the director of the company for monetary injury (Wheelwright 2006). Piercing the Corporate Veil The stakeholders of an organization are recognized as its owners but the legally the identity of an organization is distinguish from its stakeholders. All the deals and important decisions of organization are regulated by its directors and stakeholders. But the stakeholders or director cannot be held liable for the responsibility of an organisation; they are responsible for the share which they contributed in the organization. This shield provided to the stakeholders is considered as corporate veil. As per Vandekerckhove (2007), if a case is instituted against an organization, the court can hold the owner of such organisation responsible for such deal by piercing the corporate veil hence The court of law does not considered the distinguish lawful existence of the organisation and puts the responsibility on owner, this doctrine is known as piercing of corporate veil. This theory disbarred the clause of limited liability and held them responsible for the actions the operations. Generally, the legal idea of corporate veil is abused by the owner of the organization for example, they indulge in some illegal deals through the organization and at stage of recognizing the liability for such performance, the owner of the organization accesses corporate veil like a protection. Therefore, the legal idea piercing of corporate veil is useful to find the real wrongdoer as given in the case of Prest v Petrodel Resources Ltd [2013] 2 AC 415. The court of law have power to pierce a corporate veil for several matters includes scam, illegal dealings or injustice (McClain 2002). References Ferran, E., 2011. Corporate Attribution and the Directing Mind and Will. McClain, B.W., 2002. Piercing the Corporate Veil.Ohio Law.,16, p.14. Vandekerckhove, K., 2007. Piercing the corporate veil.Eur. Company L.,4, Accounting. Wheelwright, K., 2006. Goodbye directing mind and will, hello management failure: a brief critique of some new models of corporate criminal liability.Australian Journal of Corporate Law,19(3), pp.287-303.

Wednesday, December 4, 2019

Voluntary Manslaughter Criticisms and Reforms free essay sample

Discuss the criticisms which may be made on the law on murder (including voluntary manslaughter) Suggested answer It is difficult to divorce criticism of the law on murder without also considering the relevant partial defences under the Homicide Act 1957. This point was made by the Law Commission in August 2006 when they published the results of their review on provocation and diminished responsibility. The law on murder is a mess and should be comprehensively reviewed for the first time in more than half a century† stated the Law Commission in its 2006 report. The Law Commission said a major overhaul was required including a re-think of whether murder should always carry a life sentence because of the breadth and depth of discontent with the current law. Results of a consultation exercise showed 64 respondents out of 146 including 21 judges believed a mandatory life sentence for every case of murder was indefensible and should cease, the commission said. They said it was incorrect to roll all types of murder from serial killings to mercy killings into one single category. They proposed two tiers for murder. First degree for murder with intent and second degree murder where there was intention to cause serious harm or one of the partial defences. A logical system would identify the most serious forms of killing and call them murder, but it might also attempt to identify other forms and grade them for sentencing. This could be somewhat similar to the system in the US where Homicide offences are dealt with in terms of â€Å"degrees† with each degree linked to a tariff sentence in the interests of consistency. The offence of murder has long been criticised for its lack of cohesion. It is a common-law offence developed through decisions in many cases over long periods of time. These cases have in turn led to uncertainty and ambiguities, which required further cases to settle. Critics argue that it is essential to have a clear definition of murder, as it is the most serious of criminal offences. The definition of murder is considered to be outdated using words such as ‘living human being’ which in the 18th century when the definition was first made could only be a person alive. However, with the advancement of technology and medical knowledge the scope of the meaning of these words now cover the opposite ends of existence, ie the foetus and the person being kept technically alive by a life support machine. The cases of Attorney General Reference (No3 1994))1996 and NHS Trust v Bland demonstrated the moral as well as the legal dilemma this definition posed and the decision was left to the courts rather than in the hands of Parliament. In addition the phrase ‘malice aforethought’ is very misleading as the word ‘malice’ implies some type of ‘ill will’ whereas the legal meaning does not reflect this. The mens rea of murder has long needed clarification. At present there is still some doubt as to how the Judge should direct the jury on the issue of oblique intent as permitted under s8 CJA 1967. Despite the decision in Woollin this issue remains controversial following conflicting decisions in Moloney, Hancock and Shankland and Nedrick. Furthermore, the mens rea of murder can be satisfied when the defendant intends only to cause GBH. This means that a defendant could be convicted of murder when he or she had no intention of causing death or had not even considered the possibility that it may occur, (Hancock v Shankland) . This has been one of the main arguments put forward by the Law Commission to introduce a two tier system for murder in order to distinguish the types of mens rea. However, as well as criticising the mens rea of murder and sentencing the partial defences to murder under the Homicide Act 1957 also came under much criticism in particular the defence of provocation under s. of the 1957 Act. The law commission proposed to abolish this defence and replace it with ‘loss of control’, the Government did act upon this and in October 2010 the Coroners and Justice Act 2009 came into force. Under this act the defence of Provocation has been abolished (s. 54). The requirement of the loss of control needing to be ‘sudden’ has been removed (s. 54(2)) this change will make the defence m ore available to abused partners who kill in self-defence. This was an issue in the Ahluwalia case where eventually a diminished responsibility plea was accepted after a lengthy appeal and retrial. The new defence has also tightened the law (under s. 55(6))so the loss of control defence can not be used in cases where someone has killed for revenge – as in the case of Ibrams and Gregory or for marital unfaithfulness as in the case of Davies. This may now have dealt with the long term suggestion that, due to its historical background and the nature of men as more likely to â€Å"snap† in anger, that provocation was a male orientated defence. Another major criticism of the previous defence of provocation was the reasonable person test (objective test). Prior to the new defence this part of the provocation defence was left in confusion with the House of Lords decision in Smith(Morgan) conflicting with the Privy Council decision in Holley and then the Court of Appeal following Holley rather than Smith(Morgan) thus departing from precedent. This may now be resolved because the new defence of loss of control under s. 54(1)(c) seems to confirm the legal principle set out in Holley and Camplin. The major change with the defence of ‘loss of control’ compared to the old defence of provocation is that the loss of control must be caused by a ‘qualifying trigger’ defined under s. 55 of the 2009 Act which is either Loss of control attributable to 1. D’s fear of serious violence from V against D or another identified person; or 2. Attributable to a thing or things said or done or both which: (a) amounts to circumstances of an extremely grave character; and (b)caused D to have a justifiable sense of being seriously wronged. At first, this requirement seems to help cases such as Bailie. However, the under s. 54(6) the decision as to whether there is evidence of loss of control for the defence to be raised is left to the trial judge. Therefore, although at first it appears that the new defence seems to have helped ‘abuse’ cases such as Ahluwalia and Thornton the defence seems to be very objective giving control of the defence to the trial judge which may possibly go against the spirit of the intended reform but only time will tell once cases are tried under the new Act. The partial defence of Diminished Responsibility has also come under some reform whereby s. 2 of 2009 Act amends s. 2 of the Homicide Act 1957. The main change related to evidence that there has to be an â€Å"abnormality of mental function (as opposed to the mind) which must be caused by a â€Å"recognised medical condition† (s. 52(1)(aamp;b)). This new requirement does take into account changes in medical knowledge and possibly extends to the cases such as Reynolds where post-na tal depression and pre-menstrual tension were considered to be abnormalities of the mind but possibly also extends to learning difficulties. The amended section under s. 52(1B) seems to also imply that more emphasis will be placed on psychiatric evidence to decide whether the abnormality of mental function substantially impaired the defendants ability. Once again it is a new amendment and only time will show whether the change has improved the old law which had been criticised as to â€Å"easy† to plead. However, despite these changes to the partial defences to murder which have been long overdue the main criticism relating to the offence of murder still remains. That is in relation to the mandatory life sentence being imposed on all murders thus making no distinctions. In September 2010 (one month before the amended law to the partial defences came into force) the Director of Public Prosecutions (DPP), Keir Starmer supported the proposal to reform the law on murder so that it adopts a ‘US’ style of degrees of murder as mentioned above, whereby first degree murder would be for defendants who intend to kill and second degree where the evidence shows an intention to cause serious harm. This statement made by the DPP only highlights that the law on murder is still in need for reform as the main issues relating to the offence of murder stressed by the Law Commission report in 2006 has yet to be dealt with by Pariliament.